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Prompts comprovados para vibe-coding e agentes
Prompts de movimento dinâmico, pan de câmera, iluminação cinematográfica e ritmo para Kling, Runway Gen-3, Luma Dream Machine e Sora.
Escolha uma direção:1516 prompts disponíveis
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
【Style】National Geographic Wildlife Documentary, IMAX-grade imaging, 4K ultra-sharp, Photorealistic, high-frame-rate slow motion 【Duration】10 seconds 【Scene】A glacial highland lake at first light, 1,200 meters elevation. The water is black and mirror-still, ringed by drifting mist; low dawn light rakes across the surface. A faint breeze carves fine ripples near the far shore, where dark pine ridges dissolve into grey fog. [00:00-00:04] Shot 1: The Hover (Telephoto close-up, 600mm) Super-telephoto close-up: an osprey hangs almost motionless in the air, wings beating in tight powerful strokes, head locked dead-still and angled straight down. Every feather barb is razor-sharp — chocolate-brown back, snow-white underparts trembling in its own downdraft. In the pale-yellow iris the pupil snaps to a pinpoint as it fixes on a trout finning just beneath the surface. Tiny beads of mist cling to the leading edges of the wings. [00:04-00:07] Shot 2: The Plunge (High-speed tracking, 240fps super slow motion) Side-tracking high-speed shot: the osprey folds its wings and drops like a thrown spear, body stretched into a single straight line, talons swung forward and wide, dawn light sliding along the wet curve of the beak. Slow motion captures the instant of impact — the bird punches through the mirror surface and a crown of water bursts outward in a perfect ring, individual droplets hanging suspended in the air, each one catching the light like a glass bead. A translucent nictitating membrane sweeps across the eye a split second before contact. [00:07-00:10] Shot 3: The Strike (Extreme close-up, macro lens) Extreme macro close-up: the moment the talons close on the trout — scaled yellow toes spreading apart, black hooked claws sinking through flashing silver fish-scales, a thin sheet of water peeling off the feathers. Shallow depth of field blurs the spray streaking past the lens. Freeze-frame on a single droplet rolling off the tip of a claw, the fish's gill flaring open, cold light glinting on the soaked, curved talon.
![[Style] National Geographic Wildlife Documentary, IMAX film quality, 4K…](https://pbs.twimg.com/amplify_video_thumb/2069480701800624128/img/4IVfaN3tSEEn75gE.jpg)
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
[Style] National Geographic Wildlife Documentary, IMAX film quality, 4K ultra-HD, photorealistic, high-frame-rate slow-motion [Duration] 10 seconds [Scene] Rocky cliff on a snow mountain at 4,500 meters elevation, thin snow covering a gray-white gravel slope, with a backdrop of continuous bluish-gray mountain ridges, overcast sky, snow particles whipping sideways in the wind [00:00-00:04] Shot 1: Ambush (Telephoto Close-Up, 600mm) Super telephoto close-up: A snow leopard crouches behind a rock, revealing only half its face and front paws. The wind tousles the fluffy gray-white long fur on either side of its cheeks, with ice crystals clinging to every hair tip. Its amber iris suddenly contracts its pupil—it has locked onto its prey. The front paws silently tense, the rough texture of the paw pads clearly visible. [00:04-00:07] Shot 2: Burst (High-Speed Tracking, 240fps Super Slow-mo) Side high-speed tracking shot: The snow leopard launches from behind the rock, limbs fully extended into a straight line, spine arched and coiled with power. In the instant its hind legs push off the rock face,碎stone and snow dust scatter in a fan shape. Super slow-motion captures: The tail arcs through the air like a thick rope to maintain balance, while the white long fur on its belly billows in the airflow. [00:07-00:10] Shot 3: Strike (Extreme Close-Up, Macro Lens) Extreme close-up: The instant the snow leopard's front paw slams the ground, its five toes splay open, curved black claws piercing the thin snow layer, sending fine ice crystal particles flying across the lens (shallow depth of field blur). Freeze-frame on the moment the claw tip sinks into the snow surface, revealing the cold light glinting off the curve of the claw hook.
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
Inside a high-end professional MMA octagon arena, Ares and Titan's combat escalates as they fight with heavy metal weapons on the floor. Ares swings a massive glowing red steel axe at Titan. Titan parries with a heavy rusted steel sword, generating an explosive shower of brilliant sparks. Titan fires rapid forearm cannon rounds, muzzle flashes illuminating the cage. Massive bursts of real orange flames and embers erupt from the concrete floor behind them. Shot from a handheld ringside third-person POV camera angle, panning quickly to follow the weapon swings, with dramatic natural camera shake on impacts, capturing a highly realistic, intense raw broadcast feel. - 0–5s: Ares sweeps the glowing red axe in a heavy arc; Titan parries with a rusted steel sword, creating a brilliant burst of dynamic sparks, handheld camera shaking with impact. - 6–10s: Titan raises his forearm cannon, firing a rapid barrage of bullets with intense muzzle flashes; bullets spark off Ares's crimson armor shields. - 11–15s: Large real flames erupt from the concrete floor in the background, casting dramatic orange reflections as both robots clash weapon-to-weapon in the center, sparks and embers flying. Photo-realistic cinematic style, 8k resolution,
16:9Seedance 2.5
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Vídeo🎬 Choose a stable establishing frame and one motivated movement that keeps the subject readable.
첨부한 이미지는 애니메이션 캐릭터 주인공입니다. 배경은 초현실적인 실사로 표현해주세요. Create a 15-second cinematic hyper-lapse selfie travel video of Subject across
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
Create a seamless cinematic fantasy sequence following the provided storyboard exactly. A gigantic ancient black volcanic dragon emerges from a sea of molten lava inside a vast volcanic wasteland. Riding on its back is a fearless female knight wearing elegant black medieval armor with a flowing cape. She confidently controls the dragon while volcanic ash, sparks and smoke fill the air. The sequence follows these shots continuously. SHOT 1 Wide establishing shot. The dragon slowly rises from exploding lava with both wings partially unfolded. The camera performs a slow low-angle push-in toward the dragon. Molten lava splashes outward. Heavy smoke, glowing magma cracks and flying embers create atmosphere. SHOT 2 Hero wide shot. The dragon fully spreads its enormous wings while hovering above the lava. The female knight sits proudly on the dragon's back. The wings beat slowly with immense weight. The camera gently cranes upward while maintaining perfect center framing. Epic symmetrical composition. SHOT 3 Close-up. The dragon turns its head toward camera. Its eyes glow brightly. The female knight remains visible behind the dragon's neck. The dragon inhales before unleashing an enormous stream of fire. The camera slightly pushes in during the attack. SHOT 4 Extreme close-up. Focus tightly on the dragon's mouth. The throat begins glowing with intense molten light. Heat distortion appears. Flames ignite before violently erupting forward. Highly detailed scales, teeth and glowing lava textures. SHOT 5 Tracking shot. The dragon flies rapidly through towering volcanic rock formations. The female knight leans naturally with the dragon's movement. The dragon banks around a massive rock pillar. The camera performs a cinematic whip-pan and smoothly follows from behind. Ash particles and burning embers streak across the frame. SHOT 6 Final wide shot. The dragon flies toward a gigantic erupting volcano. The volcano explodes violently into the sky. Lava fountains hundreds of meters upward. The dragon circles once above the crater. The female knight raises her sword triumphantly. The sequence ends with the dragon silhouetted against the eruption. Visual Style: Ultra cinematic fantasy film. Dark volcanic atmosphere. Photorealistic. Hollywood blockbuster. Epic scale. Volumetric smoke. Molten lava. Burning embers. Heat distortion. Dynamic lighting. Realistic dragon anatomy. Detailed medieval armor. Natural cloth simulation. High realism. IMAX quality. Unreal Engine 5 quality. Large cinematic environments.
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
Generate a 14-second ultra-realistic observational video that continues directly from the previous scene. Feels like casual consumer digital camera footage from 2008–2012... Main Subject: Same young Chinese woman, early 20s. Natural appearance. Black wavy hair loosely tied back, now more damp. Light grey hoodie over faded white tank top. Blue jeans. Black canvas sneakers. Slightly wet from rain. Consistent identity. Setting: Wet streets of the same small Chinese town after light rain. Sidewalk with puddles, trees, utility poles, residential buildings. Light rain continuing. Humid atmosphere. Occasional scooters and distant traffic. Soft reflections on wet pavement. Visual Style & Camera Treatment: Same as previous video — ultra-realistic observational footage, consumer 2008–2012 digital camera, handheld but comfortable, mostly stable with small natural movements. Timeline / Sequence: 00:00–00:04 — She stands up from the bus shelter bench, adjusts her hoodie hood slightly, and starts walking along the sidewalk away from the bus stop. She glances back once at the road. 00:04–00:08 — Walking at a relaxed pace. She steps over a small puddle, looks down at her sneakers, then forward again. A few raindrops land on her hoodie. 00:08–00:12 — She passes under some trees. Water drips from leaves onto the pavement. She briefly looks at the wet leaves and smiles faintly to herself. 00:12–00:14 — She continues walking toward a narrow residential lane. The camera follows naturally from behind/side as she moves further into the distance. Audio: Continuing light rain, water dripping from trees and buildings, wet footsteps on pavement, distant scooters and traffic, subtle town ambience. No music. Generation Goal: A completely ordinary continuation of a rainy afternoon commute that feels remembered rather than filmed. Natural, quiet, lived-in moment.
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
STYLE Cinematic realistic render fused with Japanese anime-MMORPG aesthetic, built like an in-engine AAA game cutscene on Unreal Engine 5. Composed framing, cinematic depth of field, subtle chromatic aberration on energy sources, filmic tone mapping with soft highlight rolloff, smooth clean filmic image with soft pristine surfaces. Physically-based materials rendered soft and smooth in clean broad forms, shapes and armor keeping a heroic anime-MMORPG silhouette. Form legibility at every scale: cleanly defined with soft smooth edges, distinct silhouettes, readable geometry from close-up to wide. Volumetric atmosphere only in background depth. Soft optical rendering like a real cinema lens throughout: gentle diffusion, smooth focus falloff, soft edges, no harsh grain, no speckle. LIGHT One dominant colored key sculpting the subject, soft directional rim light carving silhouettes from deep shadow, rich cinematic contrast, smooth light-shadow separation. Volumetric shafts and soft haze in background depth only. Magic and energy sources act as dominant practical lights. Prismatic holographic accents as soft controlled highlights in large smooth areas, never fine sparkle. White-hot highlights against near-black shadow, gentle diffused bloom on brightest edges. COLOR Fixed palette: electric cyan (#29E6FB), holographic magenta (#E338C1), indigo steel-blue (#46527D), periwinkle blue (#7186B8), spectral violet (#9B7BDE), warm gold-umber (#C5A46D). Smooth iridescent sheen in broad clean gradients, never fine glittering speckle, concentrated on hero surfaces and energy sources. Cyan, magenta, violet drive energy centers; indigo and periwinkle ground mid-tones; gold-umber anchors metal and stone. Color reads as refraction, not paint, forms readable underneath. TEXTURE Materials soft, smooth and tactile: smooth polished metal with broad clean reflections and few soft highlights, cloth with soft prismatic bounce, organic surfaces with soft clean detail, smoothly resolved edges on stone and crystal. Each material reads distinctly, clean smooth separation between surfaces, no speckle, no grain. Large clean smooth shapes with gentle natural contrast. MOOD Cataclysmic, crushing weight, charged silence breaking into an apocalyptic surge. FORMAT MODE Timed multishot, hard real-time throughout, fast and dynamic, no slow-motion anywhere, full playback speed on every frame. CHARACTERS The princess: an elven woman warrior, silver-lavender hair, jeweled circlet, iridescent violet plate armor with gold filigree, long lavender veil-cape, ornate crystalline bow, crystal-arrow quiver on her right hip. Stays identical across every shot. The three knights: elven warriors in full closed helmets and distinct heavy armor — one with longsword and tall kite shield, one with twin curved blades, one with an upright spear, purple capes. Stay identical across every shot. The guardian: a colossal winged guardian, massive layered armor, crowned crystalline helm with glowing eyes, huge crystalline-feathered wings, glowing runic seams, an enormous prismatic sword. Towering, as tall as fifteen humans. STORYBOARD SHOT 1 (0-4s) Extreme close-up of the princess's face, three-quarter angle, filling the frame, silver-lavender hair drifting, jeweled circlet catching the light, alive background of drifting glowing particles and soft prismatic energy behind her. She plays a clear arc: brow furrowing and jaw tightening in rising anger, eyes narrowing, then resolving into cold decision — a sharp exhale, eyes faintly igniting. On that beat she turns her head and shoulders decisively away from camera. Handheld camera with live micro-jitter and breathing drift, on her shadow side, dominant colored key from camera-left, far half of the face in deep shadow. SHOT 2 (4-8s) Hard cut. The three knights waiting at a ruined runic stone gate on the right of frame, full closed helmets, distinct armor. They glance at one another, give a firm nod, then start forward with confident purposeful strides. Handheld low slight-hero angle tracking with them, dominant colored key from camera-left, a luminous war-meadow with floating islands and drifting prismatic energy ribbons opening to the left, a tattered banner by the gate. SHOT 3 (8-12s) Hard cut. The princess and the three knights together, seen from behind, striding up a grassy slope toward a bright ridgeline, her lavender veil-cape and the knights' capes and banner streaming, her crystalline bow in her left hand. Handheld wide tracking shot following low behind them, a bright colored key spilling from beyond the ridge rimming their backs, floating islands and energy ribbons above the crest. SHOT 4 (12-16s) Hard cut to a large low-angle shot of the colossal guardian, its enormous prismatic sword driven into the ground before it. It grips the hilt with both hands and leans its weight in, bracing to pull — plain and powerful, no magical build-up. Everything alive: eyes glowing and pulsing, runic seams flickering, sword energy throbbing, wings shifting, haze drifting. Handheld with hard live tremor. SHOT 5 (16-19s) Hard cut to the battle: the princess in the left foreground seen from behind, her crystalline bow raised and drawn with a glowing prismatic energy arrow at full tension, aimed across the field at the guardian on the right, her three knights sprinting toward the guardian, capes snapping, dust kicking up. Handheld with hard live jitter, full real-time speed. The shot ends the instant her string reaches full draw. SHOT 6 (19-22s) Hard cut to a profile close-up of the princess, bow drawn, one eye sighting down the glowing energy arrow. She looses the string — the arrow fires and streaks away out of frame toward the guardian. Handheld, tight on her focused face and the release, energy flaring as it launches. SHOT 7 — FINAL SHOT (22-30s) Hard cut to a close POV shot from just behind the shoulders of the three knights as they sprint the last distance toward the guardian, now close to its enormous sword, tight over-the-shoulder framing, heavy motion blur and hard dynamic camera movement with the run. Ahead of them the colossal guardian hauls its enormous sword up out of the ground with brutal force — the earth splits and erupts along the blade, dust and debris bursting outward, a massive shockwave rolling across the battlefield straight toward the lens and swallowing the whole frame in the last seconds. Hard camera shake throughout. The video ends inside the surge. PERFORMANCE The princess: anger hardening into cold resolve in SHOT 1, tense stride, full draw, then the release. The knights move with heavy confident purpose, then sprint hard and committed. The guardian moves with immense mass, grips its sword, leans in, then hauls it free with one violent pull — plain, powerful, no slow build. PHYSICS Wind drags hair, veil-cape and banner, grass bending in travelling waves, glowing particles drifting. The sword drags earth as it rips free, cracks radiating from the blade. The shockwave displaces air, throwing dust, rock and grass outward and toward the camera. Hard camera shake builds through the final blast. AUDIO No music. Ambient only: low wind, faint hum of prismatic energy, her breath and footsteps, the knights' armored strides then fast sprint, the bowstring drawing taut and the arrow's release, the deep grinding of metal as the guardian grips its sword, then a massive earth-splitting crack and a deep concussive roar as the sword tears free and the shockwave hits. OUTPUT SETTINGS 16:9, real-time throughout, no slow-mo. POSITIVE LOCKS The princess, the three knights and the guardian keep their exact looks across every shot. Everything stays alive and moving — pulsing energy, drifting particles, shifting light. The meadow, floating islands and energy ribbons stay present in the wide shots. Forms stay cleanly defined and smooth, atmosphere in background depth. Cuts land only at the stated seconds. The video ends inside the dust-and-energy surge, the cloud filling the frame. Characters and locations come from this text, not from the style sheet.
16:9Seedance 2.5
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Vídeo🎬 Choose a stable establishing frame and one motivated movement that keeps the subject readable.
First person gopro footage, piloting a giant mech to fight a Kaiju with a sword, then hitting it with the Seattle Space Needle.
16:9Seedance 2.5
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Vídeo🎬 Choose a stable establishing frame and one motivated movement that keeps the subject readable.
Extreme close-up, soccer ball punching through a massive spiderweb-cracked glass screen, explosive shatter radiating outward from impact point, glass shards and confetti-like debris frozen mid-flight, datamoshed glitch fragments in teal-orange-magenta pixel blocks bleeding along the crack lines, silhouette of a footballer mid-strike glowing against blinding stadium floodlights in the background, dark teal-cyan color grade, high-contrast night match atmosphere, shot on 35mm anamorphic lens, shallow depth of field, motion blur on flying debris, cinematic sports commercial photography, photoreal grain and lens flare, not CGI, not 3D render --ar 16:9 --stylize 100 --preview
![[REF] Use only @image_1 as the identity reference for Demon. Do not copy the…](https://pbs.twimg.com/amplify_video_thumb/2082507214137499652/img/XdyzUzfadxtI9TDa.jpg)
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
[REF] Use only @image_1 as the identity reference for Demon. Do not copy the white studio background, neutral pose, or bright lighting. [ENV] Original dark storm battlefield: moonless cracked black-stone plain, shallow water, mud spray, wind-bent reeds, broken spear forests, shattered stone markers, torn red war banners, distant slate mountains, low fog, rain mist, ash, cold storm air. Palette: charcoal, crimson, blue-gray, black, desaturated red, cold white. No sunny desert, warm sand, golden daylight, or clean arena. [STYLE] Classic 2D anime cinematic, dark hand-drawn anime action feel, sharp linework, cel shading, dynamic smear frames, speed lines, painted storm atmospherics, strong silhouettes, dramatic cloth motion, glossy katana highlights, volumetric mist, high-contrast blue-gray and crimson grade. Not 3D, not realistic CGI, not game-rendered. [SHOT] 14s widescreen action montage, 2.35:1. Demon performs one continuous impossible-speed attack through a single enemy formation stretched across the battlefield. No separate enemy groups, no empty battlefield reset, no second isolated blast. Every cut must show Demon, his energy trail, enemy silhouettes, or the same shockwave still traveling forward [CUT MAP] CUT TO: low rear track. Demon launches across flooded black stone; camera catches only hair, hat ties, sleeve, and sword-hand blur. CUT TO: extreme close-up. His face freezes sharp for one breath, eyes glowing red; rain streaks tear past. CUT TO: hilt close-up. Fingers snap onto the katana hilt; the draw begins before the hand settles. CUT TO: slash wipe. The blade exits frame as a red-white full-screen speed smear. CUT TO: side dash. Demon skips through the first enemy line in three afterimages; water, reeds, and stone shards erupt late. CUT TO: low sky angle. His crescent slash rises into the storm clouds, then curves forward like a guided wave. CUT TO: overhead vortex. Demon spins once at the center; the circular shock ring opens into a forward-moving crescent, not a finished blast. CUT TO: ground chase. Camera follows the same glowing wave skimming across wet stone; enemy legs and weapons enter foreground as the wave reaches them. CUT TO: wide battlefield. The same shockwave continues through the formation, tearing reeds, banners, fog, and enemy rows in one connected path. CUT TO: face close-up. Demon remains calm while the connected energy trail streaks behind him, proving the attack is still moving. CUT TO: low pass. Demon appears behind the next enemies before they react; the blade trail catches up a beat late. CUT TO: spin slash. One impossible-speed rotation folds the traveling wave into a glowing circle around him. CUT TO: lightning charge. Red lightning crawls along the existing trail, unable to catch him. CUT TO: final beam dash. Demon becomes the front edge of the same crescent trail; side profile to rear chase to forward tunnel. CUT TO: black-red impact smear into final wide blast. The single connected shockwave finally detonates and throws silhouettes outward. [CONTINUITY LOCK] This is one continuous attack path, not two attacks. The energy trail must remain visible between cuts as the bridge. Do not cut to an empty battlefield. Do not reset Demon into a new stance after the first shock ring. [FX LOCK] All electricity, slash energy, and lightning accents must be red or crimson, never turquoise or blue. The main readable effect is one connected red crescent shockwave crossing the battlefield.
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
基础设定：一段粉发女子在末世荒原一个小镇的教学楼 奔跑 躲避 各种丧尸怪物 的追逐短片。粉发女子：0929dbea-9189-4862-84de-325221590cc6Image 53 (1) 视觉基调： 好莱坞经典末世废土重工业电影美学，。画面充斥着强烈的 粗糙胶片颗粒感（Gritty Film Grain）、空气中弥漫的悬浮沙尘微粒（Floating Dust/Sand Particles）以及极高的画面对比度。整体呈现出极具史诗感、荒芜、干涸且硬核的废土生存质感。 光影色调： 采用高反差的 “废墟漫反射与强逆光（Harsh Backlight & Ruin Bounce Light）”，色调方案为极致的 “好莱坞青橙色调（Teal & Orange grading）”。光源设定为透过残破走廊窗户斜射进来的末世黄昏阳光，形成强烈的丁达尔光束。走廊深处及怪物潜伏的暗部呈现深邃且危险的 铁青/褪色蓝灰色（Desaturated Cyan），高光部（飞溅的玻璃渣、扬起的灰尘、破窗外的荒原）则呈现出焦躁的 琥珀色与焦土黄（Amber & Scorched Earth）。整体氛围灼热、绝望、充满生死一线的狂野气息。 摄影手法： 手持沉浸式跟拍（Shaky Handheld POV Tracking）。伴随女主的滑铲、翻滚与狂奔，镜头带有极强烈的生理性剧烈颠簸与重力下坠感。强调 极速焦点转换（Rapid Rack Focus）与 浅景深（Shallow Depth of Field），在女主挂满汗水与污渍的脸部特写、近在咫尺的丧尸利爪，以及破窗跃下瞬间产生的 变形镜头之间凌厉切换，生硬且真实地捕捉高速运动中的物理破坏微小质感。 画面内容： 0-5秒：画面建立在一个废弃教学楼破败不堪的走廊内。墙皮大面积 peeling 脱落，露出内里的钢筋混凝土。地面铺满了腐烂的书籍、发黄的试卷、倾倒的课桌椅和无数玻璃碎片，积满灰尘。废土黄昏的暗金色阳光透过破败的窗户斜射进来，形成高对比度的丁达尔光束（Tyndall effect），空气中飞舞着呛人的灰尘。开场第一帧，伴随着急促而粗重的喘息声，一头凌乱叛逆的粉色短发，身穿黑色紧身背心、超短牛仔裤，脚蹬重型战术军靴，脖子上挂着黑色头戴式耳机）从画面左侧外以极快的冲刺速度奔跑入镜头正前方。镜头距离极近，死死咬住她的背影。女主全速冲向走廊深处。关键时刻：第2秒，就在女主全速跑过一扇破旧教室门（peeling wooden door）的绝对瞬时，一只腐烂干瘪、皮肤呈现灰绿色、指爪尖锐的丧尸怪物（Feral mutant zombie）毫无征兆地从门后的阴影中侧向猛扑而出（Side Lunge），直逼女主的面门，女主展现极致反应，身体在全速奔跑中施展出一个极限侧向倾斜闪避（Hyper-agility evasion, leaning far to the left），怪物那散发着腐烂恶臭的指尖几乎是擦着她的粉色发丝划过。 5-11秒：怪物一击落空，发出一声非人的吼叫，在走廊墙壁上抓出五道深深的火花划痕，稳住身形再次追来。镜头重新稳稳锁定女主狂奔的背影，剧烈晃动手持跟拍（Extreme shaky handheld camera）。每一次沉重的军 boots 砸在布满碎石的瓷砖地面上，镜头都会伴随着脚步产生真实的物理震动，带起大片飞扬的灰尘。前方的走廊被坍塌的天花板和废弃铁皮柜完全堵死。女主根本没有任何减速的迹象，在距离障碍物仅剩一米时，她顺势双膝极速弯曲，整个身体贴着地面向前滑行，紧接着施展出一个流畅的战术前滚翻（Tactical ground roll）。镜头跟随着她的动作进行了一个天旋地转的360度翻滚镜头（360-degree rolling POV follow shot）。她毫发无损地从坍塌障碍物下方的狭窄缝隙中钻过，并在起身的瞬间无缝衔接继续狂奔。 11-17秒：女主头顶上方老旧的通风管道发出一声撕裂般的巨响。一只体型更为庞大、浑身长满坚硬角质层如爬行动物般的巨型变异怪（Reptilian mutant monster）直接撕裂天花板上的铁网，伴随着大量石块、钢筋和粉尘，犹如泰山压顶般砸向女主正前方的必经之路。镜头因怪物的落地而产生剧烈的震荡波（Camera shake from heavy impact）。怪物双臂极其粗壮，发出震耳欲聋的咆哮，挥舞着巨大指爪横扫过来。女主面对这避无可避的必杀一击，瞬间极度下沉身体重心，在布满灰尘的瓷砖地面上施展出一段极度惊险的长距离侧向滑铲（High-speed lateral power slide）。镜头跟随她的身体视角极度贴近地面，完美捕捉到她紧贴着一长排废弃长凳下方高速滑行而过，避开怪物砸碎她经过的墙壁飞溅出的砖块碎屑（Debris explosion）。 17-23秒：第17秒，女主滑铲起身，一个极限急转弯冲入了一间视野开阔的大教室。女主快速跳过倾倒的课桌椅和讲台，向教室一侧一扇巨大但布满裂纹的落地玻璃窗冲去。窗外是废土荒原小镇的黄昏，可以看到远处残破的街道。在距离窗户最后一步时，她腾空而起。 23-30秒：第23秒，飞身破窗动作（Dynamic flying kick breaking glass）。镜头从后方捕捉她凌乱粉发和在飞溅玻璃渣中翻飞的绝美定格。下一刻，她从二楼高楼破窗越层下坠。 沉浸式坠落视角（POV follow high descent）。镜头重新切回越肩视角跟随她下坠，捕捉一楼建筑平台上布满积雪和废旧设备的景物。在即将落地时，她极其专业地利用一个前肩战术翻滚（Shoulder roll landing）卸去巨大的垂直冲击力。怪物紧接着从二楼破窗处砸落在平台边缘，发出震天咆哮。 纵身跃入街道（High Jump Descent into wasteland streets）。女主角落地后根本没有停歇，全速起跑，冲向平台边缘，纵身一跃向下，直接跳入下方布满废弃汽车、倾倒建筑和残破虹灯招牌的废土小镇街道之中。 第30秒，街道隐没定格（Streets maze evasion）。镜头从高处（无人机视角）或怪物视角俯瞰，看着她在废弃汽车迷宫中极敏捷地穿梭并瞬间隐没在一处坍塌建筑物的阴
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
Ultra-detailed 16:9 fantasy character design sheet, official AAA fantasy RPG character bible, clean editorial layout, elegant white background with refined golden decorative borders. Character name "FOX DANCER", title "Festival Shrine Performer", subtitle "A graceful fox spirit who performs sacred dances beneath the lantern lights." Left panel features a full-body hero illustration of a beautiful fox spirit girl with long flowing orange-red hair, fluffy fox ears, warm amber eyes and a gentle smile. She wears an elegant shrine festival outfit featuring a white sweetheart bodice, ornate golden corset, flowing orange kimono sleeves, layered asymmetrical skirt with embroidered floral patterns, oversized back bow, gold tassels, lace trim and high-heeled sandals. A traditional white fox mask decorated with crimson markings rests beside one ear. She radiates elegance, warmth and mystical charm. Center panel includes professional turnaround views (Front, Side, Back), perfectly consistent anatomy, hairstyle, fox ears, costume layers, ribbons and proportions. Clearly display the silhouette, oversized bow, sleeves and skirt construction. Right panel includes detailed close-up panels showing bodice embroidery, golden corset, bow ornament, sleeve embroidery, fox mask, facial portrait, tassel accessory, heels and floral ornaments. Include accessory breakdown featuring fox mask, shrine charm, golden tassels, flower brooch and ceremonial jewelry. Add material studies showing embroidered silk, brocade fabric, satin ribbons, lace trim and polished gold ornaments. Include a refined color palette featuring fox orange, ivory white, antique gold, warm beige, chestnut brown and soft amber. Style: official fantasy RPG character sheet, Japanese shrine fantasy, fox spirit aesthetic, Genshin Impact × Granblue Fantasy × Onmyoji quality, premium anime game artbook illustration, elegant festival costume design, luxurious fabric rendering, production-ready character bible, masterpiece, best quality, ultra detailed, 8K, clean composition, no watermark, no logo, no extra limbs, no deformed anatomy.
16:9Seedance 2.5
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Vídeo🎬 Choose a stable establishing frame and one motivated movement that keeps the subject readable.
a scientific demonstration of a concave mirror, a face-on view of the mirror as a pendulum swings in front of it, towards and away from it, through the focal point of the mirror, the pendulum ball has a two color design
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
Cinematic anime game-trailer CG, 2.5D anime rendering with realistic volumetric lighting, ultra-high-speed parkour sequence, 15 seconds, continuous forward momentum, no combat, no pauses, no dialogue. Pacing and kinetic language of Mirror's Edge and Ghostrunner. 24fps cinematic motion blur, heavy speed lines, wide-angle lens distortion at peak velocity. [CHARACTER LOCK] Same girl in every shot. Bright orange hair in a high messy ponytail secured with black tactical straps and small metal buckles, green-amber eyes, oversized orange white and black colorblock windbreaker worn open with strap details, black cropped top, black tech shorts with buckle webbing, black thigh strap, black and orange striped crew socks, chunky white and orange sneakers, black tactical backpack with an orange "NX" patch. Athletic teenage build. Identity, hair color, outfit and backpack must remain identical across all shots. [WORLD] Vertical futuristic megacity at night. Orange dominant neon, cyan and magenta accents, towering holographic billboards, glass skyscrapers, suspended sky bridges, maglev hover trains, dense traffic streams below, thin rain haze and drifting steam. Streaming data-glyph light patterns flowing across building surfaces. [SHOT SEQUENCE] 0.0-2.0s. Low angle on a rooftop edge. She is already sprinting at full speed toward camera, then launches off the ledge. Camera whip-pans and drops with her into the neon canyon between towers. Jacket and ponytail snapping violently in the wind. 2.0-4.5s. Third-person over-the-shoulder chase cam. She lands rolling, sprints across a rooftop, wall-runs along a vertical glass facade with reflections streaking past, grabs a zipline cable and accelerates along a steel girder, sparks trailing behind her hand. 4.5-7.0s. She drops onto the roof of a speeding maglev hover train and sprints along it. Camera tracks alongside at matching speed. Giant holographic advertisement panels tear past on both sides, sky bridges flick overhead as light and shadow strobe across her. 7.0-9.5s. She leaps off the train into a narrow alley. Patrol drones sweep in with searchlights. She dodges at full speed without slowing, ducking under a drone, vaulting a railing, sliding beneath a glowing ad screen, spinning off a wall to keep her line. Camera stays behind her shoulder, shaking with impact. 9.5-12.0s. She hits a bounce platform and is launched high, catches a telescoping mechanical arm mid-air, swings and releases into an enormous gap jump between towers. Wide drone shot from far above showing the entire city glowing beneath her tiny silhouette. 12.0-15.0s. Core district. She sprints through a torrent of orange neon light, holographic screens and high-speed traffic streaming past on all sides, the whole city appearing to accelerate around her. Camera pulls back into a wide shot as she runs deeper into the skyline. She never stops. Final frame keeps her at full sprint toward the distant city core. [CAMERA] Continuous high-speed motion throughout. Chase cam, over-the-shoulder tracking, low-angle whip pans, dutch angles, brief FPV-adjacent inserts, one wide aerial reveal. Every cut lands on movement, never on a still pose. No slow motion holds longer than 0.3s. [LIGHTING AND COLOR] Orange neon key light with cyan rim light, wet reflective surfaces, lens flares streaking horizontally, chromatic aberration at peak speed, deep blacks in the shadows. High contrast teal-orange grade. [AUDIO FEEL] Driving electronic percussion, rising synth tension, wind rush and footfall impacts. [NEGATIVE] No fighting, no weapons, no enemies confronting her, no standing still, no talking, no falling or failing, no character design change, no extra characters, no text overlays, no watermark, no camera stop, no slow ending, no distorted hands or faces.
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
【风格】游泳姿态美学展示（Swimming Strokes Showcase），电影感写真质感（16:9 Cinematic, Photorealistic），高速摄影升格（Super Slow-mo），阳光泳池通透水蓝影调，长发水中飘动的唯美运动风 【时长】15秒 【场景】一条极长的泳道，向远处延伸看不到尽头，阳光透过玻璃顶棚斜射入水，在池底投下晃动的光网，水质通透碧蓝，画面里没有出发台、记分屏等比赛元素 【角色】主角@图片1 【结构机制】四种泳姿依次展示，切换全部在水中完成：靠身体滚转（Roll）或下潜滑行（Underwater Glide）自然过渡，不触壁、不转身，一条泳道游到底；每种泳姿约3秒，配一个专属机位和标志性画面 [00:00-00:02.5] 开场：入水滑行（The Glide） 侧面水下机位：她从池边轻盈跃入，身体呈流线型在水下滑行，长发在身后完全舒展开像一片黑色的绸缎，气泡串从指尖向后飞，阳光光柱扫过她的身体。 【音效】入水一声轻"唰"，水下低频的宁静嗡响。 [00:02.5-00:05.5] 第一式：蛙泳（Breaststroke） 正面低水位机位：她浮出水面开始蛙泳，双臂对称外划、双腿蹬夹，身体一收一展从容优雅，每次抬头换气露出全脸，湿发贴在颊边，身前推出一圈圈弧形波纹缓缓荡向镜头。 【音效】"呼——蓬"的舒缓划水节奏，换气声轻而清晰。 [00:05.5-00:08.5] 第二式：滚转变仰泳（Roll → Backstroke） 她在水中侧身一滚翻成仰面——切头顶俯拍机位：她脸朝上漂游，双臂轮流向后划出风车弧线，长发在头后的水里散成一片扇形随波摆动，眼睛望着顶棚光影，嘴角带笑，水珠从抬起的指尖甩落。 【音效】滚转一声水响，之后是左右交替的轻快划水声。 [00:08.5-00:11.5] 第三式：滚转变自由泳（Roll → Freestyle） 她再侧滚翻回俯身——切侧面平行跟移机位：双臂交替抡水向前，侧脸贴水换气，打腿踢出细碎白沫，速度感起来，发丝随每次转头在水面甩出弧线，身后拉出一条长长的浪花尾迹伸向泳道深处。 【音效】划水声变得连贯有力，节奏渐快。 [00:11.5-00:14] 第四式：蝶泳压轴（Butterfly, Super Slow-mo） 正面水面机位升格：她双臂同时抡起越过头顶，胸背波浪起伏，每次划水在身前炸开一对对称的水花翅膀，水珠悬在阳光里发亮，抬头换气瞬间水从下颌成帘滑落，长发向后甩出一道水弧。 【音效】升格段"哗——哗——"的划水鼓点被拉长，水珠洒落如碎铃。 [00:14-00:15] 收尾：下潜定格（The Descent） 她顺势下潜，切水下机位：身体在光网里舒展成一条线滑行，长发向后飘散，她回头望向镜头露出笑容，气泡从唇边升起，画面定格。 【音效】水声归于宁静的低频嗡响，定格配一声上扬收束音。 【备注】四种泳姿姿态必须分明：蛙泳对称蹬夹、仰泳面部朝上、自由泳交替划臂、蝶泳双臂同步波浪推进；泳姿切换只用水中滚转或下潜滑行完成，全程不出现池壁；长发是贯穿全片的美学元素，每个镜头都要有发丝在水中或水面的动态
16:9Seedance 2.5
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Vídeo🎬 Use the camera movement and framing cues stated in the source prompt.
HARIN的外貌与 @image1完全一致——亚洲年轻女性，174cm，黑色中长发，白色中式盘扣武术服，白色布腰带，白色手腕绑带，白色布鞋。全程外貌不变。ATLAS的外貌与 @image2完全一致——白人巨汉，218cm，裸上身，极度发达的肌肉，狗牌项链，迷彩军裤，战术腰带，战斗靴。全程外貌不变。场景与 @image3完全一致——韩国驻扎美军基地，户外简易拳击擂台，木板和绳索围成，四周挤满穿军绿制服的美军士兵围观，军用帐篷、吉普车、探照灯、黄土地面，傍晚暖光。远处山脉轮廓，天空有暮色。 CAMERA:30秒。一镜到底，摄像机全程与打击节奏同步运动。开场中景，HARIN在画面左侧，ATLAS在右侧，摄像机高度略低于眼平线（仰拍5度）。每次重击落点时快速急推半步再稳住。6-9秒降至更低角度仰拍ATLAS，探照灯在他身后形成逆光剪影。9-12秒慢动作段落中摄像机围绕两人缓慢弧形环绕约90度。12-15秒HARIN被抛飞时摄像机快速横甩跟踪她的飞行轨迹。24秒终结掌击瞬间急推，之后稳定下来。最后3秒缓慢推至HARIN中近景。重击瞬间带极轻微手持震动。IMAX大画幅质感，画面纵深极强。 TIMELINE: 0-3秒：开场铃声落下。ATLAS像公牛一样低吼着轰然冲锋，整个擂台木板随他的脚步震颤。他的右拳带着全身重量砸向HARIN面部——HARIN侧头闪过，拳头轰入她身后的角柱，木板炸裂，碎木屑飞溅，绳索剧烈震颤。围观士兵集体后仰。 3-6秒：HARIN趁势以日字冲拳打入ATLAS肋部——但如同击中石墙，ATLAS的肌肉纹丝不动。他反手一记横扫砸在HARIN架起的双臂上，巨力将她整个人击退，布鞋在黄土上犁出两道尘痕，她滑退近两米才稳住。 6-9秒：ATLAS压上，双拳如锤连续砸落。HARIN以膀手和摊手拼命卸力，每次格挡她的全身都被震得晃动。一记落空的重锤砸在擂台木板上，木板凹陷开裂。下一击她以双臂交叉硬接——被巨力压得单膝跪地，牙关紧咬，手腕绑带绷紧。探照灯逆光中ATLAS的剪影笼罩住她。 9-12秒：画面进入慢动作（约25%速度）——ATLAS的巨拳向跪地的HARIN头部轰然砸落。在拳锋距离面部一掌之遥的瞬间，HARIN的眼神骤然锐利，摊手从内侧将巨拳引偏——拳头轰入她脸侧的木板，碎木屑贴着她的脸颊缓缓飞过，发丝被拳风掀起。摄像机环绕两人弧形移动。 12-15秒：慢动作骤然恢复正常速度。HARIN借跪姿弹起钻入ATLAS怀内，转身肘击轰中他的下颌，狗牌项链甩起弧线，紧接连环冲拳两发打入胸口。ATLAS怒吼着一把攥住她的肩头衣襟，像扔沙袋一样将她整个人横抛出去——HARIN在空中扭转身体，重重撞上擂台绳索反弹落地翻滚。 15-18秒：HARIN撑地起身，嘴角渗出一道细血线，几缕黑发散落贴在脸侧，白色武术服沾上黄土。ATLAS咆哮着再度冲锋。她在被撞上的前一瞬以45度侧闪，擸手抓住他冲来的右腕顺势猛拽——ATLAS的巨大惯性收不住，轰然撞进围绳，绳索被撑得深深外凸。 18-21秒：ATLAS转身甩出狂暴的左右摆拳。HARIN以膀手摊手交替卸开，每次架挡她的身体都被震退半步，靴子与布鞋在木板上急促交错。在他一记摆拳打空拉开肋部空档的瞬间，她的连环冲拳连续打入他的肋骨和心口，ATLAS的身体第一次弯折。 21-24秒：ATLAS踉跄但没有倒，咆哮着挥出绝望的下勾拳。HARIN伏手下压截击，借他力量耗尽的瞬间缩入近身，连续五发连环冲拳打入面部和胸口——双拳交替如缝纫机，每一拳在上一拳收回前已击出。ATLAS随每次打击后仰，脚步连续后退，木板连声闷响。围观士兵全部站起。 24-27秒：HARIN沉腰坐马，最后一记掌击以全身结构力推在ATLAS胸口正中。ATLAS向后倒飞三步撞上擂台绳索，双臂搭在绳索上，膝盖半跪，胸膛剧烈起伏，无法起身。 27-30秒：HARIN站在擂台中央，肩膀随粗重的呼吸起伏，散落的发丝贴在汗湿的脸侧，白色武术服上沾着黄土与木屑，嘴角的细血线未擦。她缓缓抬起目光扫过人群，一只手回到咏春中线护手——标指姿势，掌心朝内。灰尘在探照灯光柱中缓缓飘落。四周从死寂变为低沉的骚动。她静立不动。 AUDIO:开场铃声一响即开始。ATLAS的冲锋脚步带沉重低频震动，0-3秒木板炸裂声尖锐爆响。3-9秒：每次重击带下沉的低音冲击声，木板开裂声、绳索绷紧声、HARIN被震退时布鞋摩擦黄土的声音清晰。9-12秒慢动作：所有声音降调拉长——巨拳破空的低频轰鸣、木屑飞过脸颊的细微声、人群呼喊拉长成低吼。12秒恢复正常速度时声音骤然回弹，肘击与抛摔的撞击声、绳索剧烈震颤声爆发。15-24秒：皮肉碰撞声密集，HARIN的短促呼气声与ATLAS的粗重咆哮交错，连环冲拳如鼓点。24秒掌击：一声最深沉的闷响，之后短暂全场死寂。然后人群低沉的骚动涌入，混合ATLAS的喘息与HARIN的粗重呼吸。无背景音乐。只有环境音、打击音、呼吸。 不要随意切换镜头，一镜到底。
16:9Seedance 2.5
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15-second photorealistic cinematic video, 16:9, with synchronized stereo audio. A female explorer with short black hair, a red waterproof jacket, and a gray backpack remains perfectly consistent inside an abandoned Victorian greenhouse during a nighttime storm. 0–4s: A low-angle tracking shot follows her walking across the wet floor. Her boot hits a puddle, creating a physically accurate splash. 4–8s: Without a cut, the camera moves into a medium side-tracking shot. She pushes aside a wet branch as a brass mechanical hummingbird emerges, circles her head, and casts warm golden light across her face. 8–12s: The camera performs a fluid 120-degree orbit. She extends her hand and the hummingbird lands precisely on her finger. Its wings slow naturally as water droplets fall from its metallic body. She says in Spanish, with natural lip sync: “Así que eras real.” 12–15s: Lightning illuminates the greenhouse. A rapid rack focus reveals an enormous bioluminescent flower opening in the background and releasing glowing blue particles. The explorer and hummingbird turn toward it simultaneously. End with a slow push toward the flower. 35mm anamorphic cinematography, natural depth of field, realistic physics, coherent reflections, detailed skin, blue storm light contrasted with the hummingbird’s golden glow. Immersive stereo rain, wind, vibrating glass, synchronized footsteps and splashes, spatial mechanical buzzing, clean dialogue, and one deep musical note when the flower opens. Priorities: absolute character and wardrobe consistency, stable hummingbird design, correct anatomy, natural hands, precise physical contact, coherent movement, consistent lighting, and continuous camera motion. Exactly one explorer and one hummingbird. No subtitles, text, logos, or additional characters.
16:9Seedance 2.5
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One-take handheld gimbal tracking shot. The camera slowly pushes in through a gap in a heavy red curtain and enters a warm-toned backstage dressing room. A young female singer, with her back to the camera, is adjusting her earpiece as a staff member reminds her it's time to go on. She turns toward the camera and starts singing citypop. The camera pulls back and tracks her as she passes through the curtain into a dim backstage corridor, interacting naturally with her dancers along the way; one staff member hands her a microphone. She and the dancers then step onto the stage, and the camera arcs around to the back, gradually revealing the red-and-black stage design, LED screens, spotlights, haze, and reflective floor. The camera finally pulls out to a wide shot of the arena, showing the packed audience, light boards, glow sticks, and cheering crowd, capturing the youthful, free-spirited climax of the concert.
21:9Seedance 2.5
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Characters: The Mother — pale ancient dragon, roughly twenty feet long, elephant-sized, feather-like white scales, antlered horns, amber-gold eyes, white whiskers, four clawed limbs, bursting out into a violent, sweeping assault across the camp. Camp marauders (multiple, throughout) — wolf-helm warriors, dark fur-trimmed hide armor, distinct appearance, headbutted, throwing smoke grenades, caught in fire, set aflame, and one attempting to shoot her before being seized. Weapon: Marauder muskets — one fired at the Mother before its wielder is seized. Multiple smoke grenades — pins pulled, thrown at the Mother, releasing purple smoke. Location: Leviathan Skull Encampment interior — colossal fossilized beast skull looming behind the action, firepits scattered through the camp, snow-covered ground, warm firelight against cold blue-grey stone. Scene context: Six-shot sequence, handheld throughout. Subject of every shot is the Mother's escalating rampage through the camp. Shot one: the Mother bursting out and headbutting several marauders. Shot two: marauders pulling smoke grenade pins and throwing them, purple smoke erupting. Shot three: the Mother curling back and smashing into a firepit, fire splashing across one of the smoke clouds. Shot four: the purple smoke igniting, marauders running and screaming while burning. Shot five: the Mother seizing a marauder attempting to shoot her. Shot six: she leaps and smashes him through the fossilized skull looming behind her. Geography locked: the Mother moves through the camp in a continuous rampage, the firepit and skull positioned within her path throughout. Dusk. Interior firelit, cold exterior light beyond. Handheld throughout. Anamorphic 21:9, asymmetrical framing. Wide shot, the Mother bursting out, headbutting marauders. She surges forward through the camp, swinging her head in wide arcs, cracking skulls and sending several marauders sprawling with each violent headbutt. Medium shot, marauders pulling grenade pins and throwing them. Several marauders yank pins from smoke grenades in a panicked scramble and hurl them at the Mother — the grenades burst open, thick plumes of purple smoke erupting outward and billowing across the space between them. Wide shot, the Mother curling back and smashing into a firepit. She twists her body and slams into a nearby firepit, sending a massive splash of fire and embers erupting outward, engulfing one of the drifting clouds of purple smoke. Wide shot, the purple smoke igniting into flame. The ignited smoke bursts violently, catching several marauders in the blast — they stagger and run, engulfed in fire, screaming as they stumble through the camp. Close on the Mother, seizing a marauder mid-aim. A marauder raises his musket and fires at her — before the shot can find purchase, she snatches him up in her jaws or claws in one swift motion. Wide shot, the Mother leaping and smashing him through the skull. She launches upward and hurls him bodily into the fossilized skull looming behind her, the impact shattering bone and driving him straight through the ancient structure. Sound design: the crack of skulls and bodies hitting the ground with each headbutt, the metallic pop and hiss of grenades releasing purple smoke, the roaring whoosh of fire erupting from the smashed firepit, a violent ignition as the purple smoke catches flame, panicked screaming from marauders engulfed in fire, the musket's crack, a wet seizing grab, the heavy impact and shattering crunch as the Mother smashes him through the skull, no music. Please add a lot more shots to add to the chaos, shaky camera, intense battle scene, quick angle changes, intense. Use these images as references and suggestions. Make sure you're cutting every few seconds from different angles, and there's just a general air of chaos and battle (they're firing at the dragon with their muskets) No music. quick editing.
16:9Seedance 2.5
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Create a 30 second cinematic short film titled The Suit Was Still Listening, presented in 16:9 with synchronized dialogue, environmental sound, and original music. The film must feel completely live action, physically grounded, and captured on location, never glossy or synthetic. Visual language: a rain soaked neighborhood laundromat at midnight, warm amber fluorescent tubes inside, cold blue street light and moving car reflections outside, wet pavement, fogged windows, chipped enamel machines, baskets, detergent boxes, loose receipts, realistic skin texture, natural eye moisture, subtle fabric lint, imperfect hair, restrained film grain, gentle halation, lifted shadows, rich but believable color. Wardrobe creates bold editorial color blocking: Mara wears a cobalt trench over a cream blouse, Noah wears a rust knit polo, the teenage attendant wears faded green workwear, and an elderly customer wears a pale gray suit and dark hat. Use expressive medium close shots, tactile inserts, occasional low angles, clean profile compositions, and brief handheld movement that feels operated by a human. Preserve consistent faces, clothing, props, screen direction, reflections, hand anatomy, and spatial continuity. Use realistic speech timing, breathing, blinking, eye focus, and precise lip synchronization. 0 to 3 seconds. Exterior wide shot through falling rain. A lonely laundromat glows on a dark corner. A black sedan turns slowly into the street. Camera makes a subtle forward creep. Music begins with muted upright bass, brushed snare, a low analog pulse, and the rhythmic churn of washers. 3 to 6 seconds. Interior macro shot through a round washer door. A red scarf turns through soap and water. Cut to Mara opening a dryer. A tiny black transmitter falls from the lining of a cream suit and strikes the tile with a sharp metallic click. The score briefly drops out. 6 to 10 seconds. Low medium two shot. Noah freezes beside a folding table. He says quietly, You said clean the suit. Mara studies the transmitter in her palm and replies, I did. You hid a heartbeat in the lining. Keep the delivery controlled and intimate, not theatrical. 10 to 14 seconds. Tight insert on the teenage attendant checking an old signal meter beside the change machine. A green needle jumps. He looks toward the fogged front window and says, It is still transmitting. Camera racks focus from the meter to white headlights sliding across the glass. 14 to 18 seconds. The sedan stops outside. The elderly customer continues folding a shirt without looking up. He says, Then he is already here. Hold on Mara as the moving headlights carve across her face. Let silence, rain, and machine motors carry the tension. 18 to 22 seconds. Noah whispers, Back door. The old man calmly turns the deadbolt on the back exit and answers, Too obvious. Mara notices a delivery rider outside pushing a rolling laundry cart past the window. Use a fast sequence of close shots: her eyes, the transmitter, the cart wheel, the sedan mirror. 22 to 27 seconds. Mara crosses naturally behind a row of machines, slips the transmitter into a sealed laundry bag on the moving cart through an open service hatch, and returns without drawing attention. Noah asks, What did you do. Mara watches the cart continue down the wet street and says, Gave him a cleaner story. 27 to 30 seconds. Exterior telephoto view. The black sedan pulls away and follows the cart. Cut back inside to a symmetrical medium shot of the four characters framed by spinning washer doors. The red scarf circles behind Mara like a slow warning light. She sits opposite Noah and says, Now tell me who owns the suit. End on the transmitter signal fading from the attendant meter as the final bass note lands. Sound design must include rain on glass, distant tires on wet road, washer motors, dryer buttons, fabric movement, the transmitter click, door lock, fluorescent hum, and soft room reflections around every voice. Dialogue must remain clean and naturally mixed above the music. Avoid visual distortion, artificial camera acceleration, floating objects, excessive shallow focus, oversharpening, plastic skin, extra fingers, unreadable signage, random background motion, or dreamlike effects.
16:9Seedance 2.5
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NO MUSIC, ONLY NATURAL SOUND — Epic blockbuster fantasy, shot on ARRI Alexa 65 with IMAX-scale anamorphic lenses, warm golden-hour daylight breaking through canyon haze, drifting mist and volumetric god-rays, with grounded handheld energy during the run building into a sweeping aerial glide in flight. In the sweeping rocky valley from @Image3, tiered waterfalls spill down the cliffs, scattered pines line a winding dirt trail across the canyon floor, and tall sandstone mesas dissolve into low mist. A side-tracking shot moves parallel to ERYAN (@Image1) as he sprints in profile across the dirt trail, staying low on his feet as they pound the ground and kick up dust and grit. The camera gradually eases back to hold his full body in frame: a lean young man wearing a tattered beige linen tunic belted with a wide leather sash, with black wavy hair, green eyes, and cloth bindings wrapped around his lower legs, driving toward a jutting rock outcrop. Staying lateral with him, the camera follows as he reaches the lip and launches off the edge into open air above the valley. Slow motion at the peak of the leap, held in side profile, with his body suspended against the waterfalls far below, his tunic and hair lifting and his arms spread wide. The forward momentum of the jump carries him into a long downward arc, still traveling forward as he drops, and within the same continuous motion THE GRIFFIN (@Image2)—with an eagle head, dark brown plumage, tufted ears, pale eyes, a hooked gray beak, black-brown wings, tawny lion hindquarters, a leather saddle, and braided rope reins—sweeps upward from below in a rush of powerful wingbeats and slides beneath him mid-arc, catching him on its back. Return to real time as ERYAN (@Image1) settles into the saddle, grabs the rope reins tightly in both fists, and the griffin banks hard into flight. Dynamic flight sequence: a wide aerial shot follows THE GRIFFIN (@Image2) sweeping down the canyon between towering cliff walls, its wingtips skimming a cascading waterfall as spray mists across its feathers. Cut to a tight side-profile tracking shot of ERYAN (@Image1) leaning low over the griffin’s neck, wind tearing through his hair as a wide grin breaks across his face and his breath becomes visible. Cut to a low hero shot of THE GRIFFIN (@Image2) from the front, wings stretched to their full span, driving forward with powerful downbeats and its eyes locked ahead. Cut to an over-the-shoulder shot from behind ERYAN as the valley opens before him, with waterfalls, pines, and mist-covered mesas streaming past below. The griffin rises through a shaft of golden light and levels out into a long, graceful glide over the ridge. Faces, wardrobe, feather patterns, anatomy, and proportions remain perfectly locked to the reference sheets, with lighting and landscape matched to @Image3. SFX: pounding footsteps, scattering grit, the whoosh of the leap, the heavy thunder of wingbeats, rushing wind, distant waterfall roar, Eryan’s laughing breath, and creaking saddle leather. Cinematic 4K, subtle filmic grain, accurate feather and cloth physics, grounded natural motion, no music, no text, no watermark, no CGI plasticity.
16:9Seedance 2.5
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immersive surreal cinematic film, hyper-detailed, true-to-life lighting and shadows mixed with impossible physics, rich motion detail, volumetric god rays, anamorphic lenses, subtle film grain, masterpiece quality. Immersive multi-shot story with precise timestamp control and native spatial audio: [0-6s] Extreme first-person POV standing on the edge of a floating cliff made of soft glowing moss. Below is an endless ocean of gigantic, super-fluffy cotton-candy clouds — each cloud the size of a mountain, impossibly soft and billowing like living marshmallows. Soft male voice, calm but trembling: “I’ve dreamed of this place my entire life.” [6-12s] He jumps. Seamless first-person freefall into the giant fluffy clouds. Instead of falling through, he sinks slowly like diving into warm foam. The clouds part and reshape around him into soft tunnels of pink, gold and lavender. Impossible physics: gravity flips gently mid-fall. Soft voice (awed): “They’re soft… they’re alive…” [12-18s] He emerges inside a vast floating world made entirely of living clouds and translucent crystal islands. Giant fluffy cloud whales swim slowly through the sky. Soft glowing staircases of solid mist rise and fall. He lands on a cloud bridge that bounces like a trampoline under his feet. Camera orbits him as the entire sky breathes and shifts colors. [18-25s] He starts running and the cloud bridge launches him into the air. First-person flight through the impossible sky: weaving between mountain-sized fluffy clouds that open like flowers, diving through glowing mist waterfalls that turn into liquid starlight, racing alongside cloud whales that leave trails of sparkling dust. Reality bends — the horizon folds into a spiral. [25-30s] Final wide crane shot as he soars higher and higher until the entire cloud world forms a giant glowing heart shape around him. Soft voice (peaceful, almost whispering): “I was never falling… I was coming home.” Hyper-detailed, breathtaking surreal world-building, perfect motion continuity, emotional story of discovery and belonging, immersive first-person hybrid style, native dual-channel audio (soft wind, distant whale-like hums, ethereal music swell, intimate dialogue), pure dream logic, viral awe factor.
16:9Seedance 2.5
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30-second cinematic sequence. 1977 suburban Boston during a zombie outbreak. Use the uploaded husband, wife and male character as the exact character references. Authentic Kodak Eastmancolor photochemical cinema with warm golden afternoon sunlight, subtle halation, fine 35mm film grain, Panavision anamorphic lenses, practical effects only, realistic 1970s production design. The sequence opens with an elderly zombie brutally attacking a terrified man inside a narrow residential alley. The zombie bites the man's neck while he desperately struggles to escape. This attack dominates the foreground. Far behind them, softly blurred through a long telephoto lens, the husband, wife and the uploaded male character suddenly sprint across the street from left to right between abandoned 1970s cars, ignoring the attack as they desperately flee the spreading outbreak. The perspective naturally changes to a smooth side tracking shot following the three survivors running together through burning suburban streets. Their formation constantly changes. Sometimes the uploaded male character leads, then the husband overtakes him, while the wife briefly runs in front before falling back again. Their movement feels exhausted, frightened and realistic rather than heroic. Thick smoke drifts across the road as elderly zombies slowly emerge from burning houses and narrow residential streets behind them. The camera later observes the chase from behind a burning vintage sedan. Orange flames fill the foreground while the three survivors suddenly burst through thick smoke in the background before disappearing behind abandoned vehicles. The camera gently pans to keep them inside the frame as more zombies continue appearing throughout the neighborhood. The sequence then reveals another layered composition. Two elderly zombies violently struggle over a fallen victim in the foreground while, farther behind them, the husband, wife and uploaded male character weave through abandoned cars, burning debris and drifting smoke without stopping. Every layer of the frame remains active with environmental storytelling. The wife briefly stumbles while avoiding burning debris. The husband immediately catches her arm and pulls her forward without slowing down. The uploaded male character looks back, realizes several zombies are getting closer, then accelerates and leads the group toward a safer street. The perspective suddenly changes into a perfect 90-degree bird's-eye view directly overhead. The camera looks completely vertical over an entire suburban intersection. The three survivors run diagonally through streets, sidewalks and front yards, constantly changing formation while dozens of elderly zombies slowly surround them from every direction. Burning rooftops, abandoned vintage cars, collapsed wooden fences, smoke, autumn trees and spreading fire create a striking geometric composition viewed from directly above. The camera slowly rises higher while maintaining the exact overhead angle, revealing the true scale of the outbreak. The sequence ends with a wide elevated cinematic view. The camera slowly pulls backward as the three survivors become tiny figures still running through the burning neighborhood while countless zombies wander across roads, front yards and houses beneath the warm golden afternoon sky. Audio features a tense cinematic orchestral score with deep cellos, low brass, restrained percussion, rising strings and subtle analog synthesizer textures, blended with realistic footsteps, heavy breathing, crackling fire, distant screams, wind, zombie groans and neighborhood ambience. Authentic 1977 American cinema. Rich foreground, midground and background storytelling. Practical filmmaking. No HDR. No CGI. No digital sharpening. No modern objects.
16:9Seedance 2.5
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30-second cinematic anime action sequence, breathtaking high-budget anime film, ultra-dynamic editing, fluid sakuga animation, spectacular fight choreography, seamless kinetic camera movement, aggressive speed ramps, rapid match cuts, whip pans, rotating camera moves, dramatic perspective shifts, cinematic lens distortion, volumetric lighting, dust, sparks, debris, explosive impacts, emotionally intense, premium animation quality, no dialogue. 0–5s A ruined futuristic city stands silent beneath storm clouds. Two lone warriors face each other hundreds of meters apart. The camera rapidly alternates between extreme wide shots, close-ups of determined eyes, hands tightening around weapons, feet scraping broken concrete, fluttering coats and drifting dust. A heartbeat. Absolute silence. 5–10s Both fighters explode forward simultaneously. The camera races alongside them before instantly switching to overhead drone views, impossible low angles beneath their feet, first-person perspectives, and ultra-fast lateral tracking shots. Shockwaves ripple across the ground as they collide. The first impact sends debris flying in every direction. 10–15s An overwhelming combat montage. Lightning-fast sword strikes. Acrobatic flips. Mid-air clashes. Wall running. Buildings collapse around them. The camera never stays still: continuous orbit shots, rapid whip pans, rotating 360-degree movements, crash zooms, Dutch angles, seamless transitions through clouds of dust and sparks. Constant speed ramps amplify every decisive strike. 15–20s The battle escalates. Energy erupts with every collision. One fighter launches the other through multiple rooftops. The camera follows in a single uninterrupted shot before cutting to an extreme close-up as both instantly reappear, colliding again in mid-air. Fragments of glass, steel and concrete freeze momentarily before exploding outward. 20–25s The choreography becomes almost impossible to follow. Dozens of rapid exchanges. The camera jumps between ultra-wide cinematic compositions, intimate facial close-ups, spinning aerial shots, slow-motion impacts, handheld ground-level tracking, and impossible anime-style perspective shifts. Every cut increases the intensity. The music reaches its peak. 25–30s Everything suddenly slows. The two warriors cross paths one final time. Silence. A single decisive strike. The camera follows the blade in extreme slow motion before rapidly pulling back into an enormous aerial shot revealing the devastated city beneath dark skies. Dust slowly settles. Hard cut to black. Sound design: colossal cinematic orchestra blended with modern hybrid percussion, taiko drums, distorted synth pulses, thunderous impacts, rushing wind, metallic blade clashes, explosive shockwaves, collapsing buildings, debris showers, aggressive cinematic whooshes, deep bass hits, brief silence before the final strike, overwhelming orchestral finale with massive surround sound.
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